September 02, 2009

This God Forsaken Land

Summer has now passed and the days are getting shorter and darker. Though I regret the passage of time, I have taken good advantage of these past three months. After the spring round-up in Grantsville and a mid-June trip with Kathie, Erika my daughter, my mother, sister and brother-in-law to Cornwall and Somerset, England the summer began in earnest. I managed to squeeze in as much back-country riding as possible based out of our cabin and small ranch in Idaho just minutes from the continental divide and Montana. Together with family and friends, we laid down wagon tracks or hoof prints or both in Utah, a good part of Yellowstone National Park, the Lee Metcalf Wilderness Area and adjoining National Forests - from the petrified forests of the Gallatin to the Spanish Peaks overlooking Big Sky and Moonlight Basin to the magnificent alpine Hilgard Basin and beyond. We joined a wagon train to commemorate the sesquicentennial of Gunnison, Utah, danced the night away at the Victorian Ball in Virginia City, where I was asked to recite a little poetry and finished off August with our traditional “Evening in the American West” show where I mixed it up for a large audience with the cowboy trio “Latigo.” While in Virginia City, I came across the following poem. I liked it and thought I would include it here. Montana is indeed a special place.

This God-Forsaken Land

This God-Forsaken Land, they call it,
As they gaze with pitying eye,
Nothing here but sagebrush,
And a vast expanse of sky.

We don’t know how you take it,
Those city folks declare,
And how do you make a living?
Or do you live on air?

They wonder at the twinkle in our eye,
And the smiles we try to hide,
For in all this lonely windswept land,
They can see no cause for pride.

But we could tell them of our ranches,
Where great herds of cattle roam,
And of the flocks of bleating woolies,
That claim Montana as their own.

We could show them our oil wells,
That pour forth liquid gold,
And in those places they call “barren,”
There are deep, rich veins of coal.

They may not see our fertile ranches,
With their fields of hay ad grain,
But nestled there among the hills,
We have them just the same.

This “Loneliness” they talk about,
To us is God’s own peace;
There’s so much of beauty all around,
That our thanks shall never cease.

Our streams are filled with rainbow trout,
We’ve antelope, elk and deer,
We’re a mile up nearer heaven,
And the air is pure and clear.

Our sunsets glow with color,
And in the pearly dawn of morn,
The pungent scent of sage drifts down,
On a breeze that’s mountain born.

We don’t know much of city life,
Or where they seek God there,
But we do know in Montana,
That we find him everywhere.

So to them we’ll leave the cities,
Where the living is so grand,
And we’ll stay in Montana,
In our God-Beloved Land.

(poster for sale in the Virginia – Madison Country Historical Museum, autor not cited)

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June 26, 2009

On the Rosebud

It has been 133 years today since the Battle of the Little Big Horn. A visit to the battlefield is a sobering experience - even today. News of the combined Indian victory spread in all directions among the Indian tribes by a combination of smoke signals and riders and did so much quicker than among the whites. The effect was electrifying among the native population and may even have emboldened the Nez Perce to resist the encroachments of the U.S.government a little more than would have normally been the case one year later in Idaho and Montana. I remember as a boy re-enacting the battle with my brothers and neighor kids - long before the anniversary of Custer's Last Stand and hit the century mark.

The Battle of the Little Bighorn — also known as Custer's Last Stand and, in the parlance of the Native Americans involved, the Battle of Greasy Grass Creek was an armed engagement between a Lakota–Northern Cheyenne combined force and the 7th Cavalry Regiment of the United States Army. It occurred on June 25 and June 26, 1876 near the Little Bighorn River in the eastern Montana Territory, near what is now Crow Agency, Montana.

The battle was the most famous action of the Great Sioux War of 1876-77 and was a remarkable victory for the Lakota and Northern Cheyenne, led by Sitting Bull. The U.S. Seventh Cavalry, including a column of 700 men led by George Armstrong Custer, was defeated. Five of the Seventh's companies were annihilated and Custer himself was killed as were two of his brothers, a nephew, and a brother-in-law. (Wikipedia)

The author of this poem, William O. Taylor rode with Custer and Reno and was one of the few survivors of the battle. His haunting lines make reference to popular songs of the day that were sung the night before the carnage. The calvary followed Rosebud Creek in their approach to the area of the Little Bighorn river.

On the Rosebud
William O. Taylor

It was June on the banks of the Rosebud,
“The Seventh” in bivouac lay,
Hard and fast on the trail of the hostiles,
We had ridden that long summer day.

And now in a bluff hidden shelter,
We had stopped for a time to take breath,
Knowing well ere the sun set the morrow,
We should ride in the shadow of death.

For our scouts, all excited and restless,
Had returned bringing with them a clue,
That beyond the Divide, in a valley,
Lay the camps of the war gathered Sioux.

And all who followed our Custer,
Knew well that a stranger to fear,
He would strike, be the odds ere so many,
As soon as their camps did appear.

As the twilight grew deeper and darkened,
And all was so quiet and fair,
An Officer group near the river
With songs woke the still night air,

“Little Footsteps Soft and Gentle,”
“The Goodbye at the Door,”
While “Maxwelton Braes are Bonnie,”
Comes to me o’er and o’er,

Songs of home and the fireside,
Songs of love tender and sweet,
And the last one, was it meant for a prayer,
Sent up from the great mercy seat?

“Praise God from whom all blessings flow,
Praise him all creatures here below,
Praise him above ye Heavenly Host,
Praise Father, Son ad Holy Ghost.”

Good-night, “Good-night” and parting thus,
Each sought his soldier bed,
A blanket spread upon the ground,
The bright stars overhead.

And the next day, on the Bighorn,
Midst savage shout and cry,
And the sun was slowly sinking,
They “laid them down to die.”

Years have passed, and the bones of the singers,
Are mingled in the dust of the plain,
Yet often at twilight I fancy,
I hear once more that refrain,

“I’d lay me down to die.”

And green, ever green in my memory,
Are the songs I heard that night,
By our Officers sung on the Rosebud,
In the twilight before the fight.


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May 01, 2009

The Creak of the Leather

The west desert of Utah holds many treasures and secrets of the old west. Recently a group of friends rode out through the cedars near Vernon and watched a band of mustangs (wild horses) as the stallion pushed and directed his group of mares - sometimes towards them and sometimes away. Another friend, together with his brother and father have a large cattle operation just outside of Vernon. In one setting, you can see both cattle and wild horses. A couple of weeks ago, my son Peter and I rode out in the same general area along the Pony Express trail near one of the old way stations and one of the very few watering holes along the way to and from Nevada - Simpson Springs. There we encountered another band of mustangs of about the same configuration as well as cattle roaming the badlands. We had lunch in a draw where "the air was so quiet and dead" that it seemed we were actutally reliving the old classic poem by Bruce Kiskaddon - "The Creak of the Leather." I recited it to Peter as we were resting under the cedars with horses dozing nearby in the sun - hobbled and just waiting for us to get back on. I got to thinking that I should add this poem here. I hope you enjoy it. Peter and Indy are pictured in the photo.


The Creak of the Leather
by Bruce Kiskaddon

It's likely that you can remember
A corral at the foot of a hill
Some mornin' along in December
When the air was so cold and so still.
When the frost lay as light as a feather
And the stars had jest blinked out and gone.
Remember the creak of the leather
As you saddled your hoss in the dawn.

When the glow of the sunset had faded
And you reached the corral after night
On a hoss that was weary and jaded
And so hungry yore belt wasn't tight.
You felt about ready to weaken
You knowed you had been a long way
But the old saddle still kep a creakin'
Like it did at the start of the day.

Perhaps you can mind when yore saddle
Was standin' up high at the back
And you started a whale of a battle
When you got the old pony untracked.
How you and the hoss stuck together
Is a thing you caint hardly explain
And the rattle and creak of the leather
As it met with the jar and the strain.

You have been on a stand in the cedars
When the air was so quiet and dead
Not even some flies and mosquitoes
To buzz and make noise 'round yore head.
You watched for wild hosses or cattle
When the place was as silent as death
But you heard the soft creak of the saddle
Every time the hoss took a breath.

And when the round up was workin'
All day you had been ridin' hard
There wasn't a chance of your shirkin'
You was pulled for the second guard
A sad homesick feelin' come sneakin'
As you sung to the cows and the moon
And you heard the old saddle a creakin'
Along to the sound of the tune.

There was times when the sun was shore blazin'
On a perishin' hot summer day
Mirages would keep you a gazin'
And the dust devils danced far away
You cussed at the thirst and the weather
You rode at a slow joggin' trot
And you noticed somehow that the leather
Creaks different when once it gets hot.

When yore old and yore eyes have grown hollow
And your hair has a tinge of the snow
But there's always the memories that follow
From the trails of the dim long ago.
There are things that will haunt you forever
You notice that strange as it seems
One sound, the soft creak of the leather,
Weaves into your memories and dreams.

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April 16, 2009

America the Beautiful

A good friend, Ken Stevens, of the western performing group Latigo, forwarded this poem to me the other day. I found myself in agreement with its message and decided to post it here. I did a little background check on it through "Urban Legends" and found the following:

Comments: Circulating online since 1997 (at which time its author was listed as "Anonymous"), the above poem — this particular version of it, at any rate — has more recently been attributed to Alabama's notorious Judge Roy Moore. Since it has been vetted by presumably reliable sources, I have listed it here as authentic (see authorship update below).

Judge Moore vaulted to national prominence several years ago when, as Alabama's Chief Justice, he installed a 5,000-pound monument emblazoned with the Ten Commandments in the state's Supreme Court building. His defiance of a federal court order to remove it on grounds that it violated the Constitutional principle of separation of church and state led to Moore's suspension in 2003.

He is also a self-styled poet. In his 2005 book, So Help Me God: The Ten Commandments, Judicial Tyranny, and the Battle for Religious Freedom, Moore evinces a lifelong love of poetry and mentions several of his own efforts, including "Our American Birthright," an inspirational ditty quite similar in style and theme to "America the Beautiful."

Among the sources citing Roy Moore as the author of the poem are The American Spectator, the Associated Press, and WorldNetDaily.com.

UPDATE: The poem was 'partly' written by Moore
In a February 6, 2006 email from the headquarters of Judge Roy Moore's Foundation for Moral Law in Montgomery, Alabama, the organization's secretary Heather Moore wrote: "Part of the poem was anonymous and part was written by the Chief Justice. There are several different versions being circulated [and] this is but one."


America the Beautiful
by Roy Moore

America the beautiful,
or so you used to be.
Land of the Pilgrims' pride;
I'm glad they'll never see.

Babies piled in dumpsters,
Abortion on demand,
Oh, sweet land of liberty;
your house is on the sand.

Our children wander aimlessly
poisoned by cocaine
choosing to indulge their lusts,
when God has said abstain

From sea to shining sea,
our Nation turns away
From the teaching of God's love
and a need to always pray

We've kept God in our
temples, how callous we have grown.
When earth is but His footstool,
and Heaven is His throne.

We've voted in a government
that's rotting at the core,
Appointing Godless Judges;
who throw reason out the door,

Too soft to place a killer
in a well deserved tomb,
But brave enough to kill a baby
before he leaves the womb.

You think that God's not
angry, that our land's a moral slum?
How much longer will He wait
before His judgment comes?

How are we to face our God,
from Whom we cannot hide?
What then is left for us to do,
but stem this evil tide?

If we who are His children,
will humbly turn and pray;
Seek His holy face
and mend our evil way:

Then God will hear from Heaven;
and forgive us of our sins,
He'll heal our sickly land
and those who live within.

But, America the Beautiful,
If you don't - then you will see,
A sad but Holy God
withdraw His hand from Thee..

April 10, 2009

The Three Bears

During its heyday in the 60's and 70's Pierre' s Playhouse in Victor, Idaho was the place to be on a summer evening as the sun set on the Tetons and as shadows reached across Teton Pass into Jackson Hole, Wyoming. The old time melodrama playhouse is still in business after nearly 50 years, but old man Egbert, the perennial villan has since passed on. During intermission, he used to recite this poem complete with quickdraw costume and makeup changes, booms and flashes of light. It all worked together to bring the audience into fits of side splitting laughter, uncontrollable tears and head aches for having laughed so hard. The show in Victor has changed over the years, but if you are ever in the Jackson Hole area and get tired of the high priced pseudo-cowboy chic atmosphere (I should know, I once owned a business in Jackson), slip on over the pass into Idaho for some authentic local entertainment and great Idahoan dutch oven grub. You won't regret it. Our family has made it a favorite for three generations. The photo is one I took last fall of a hundred year old outhouse on Gary Jacobsen's homestead in Stringtown, Colorado - right on the edge of Rocky Mountain National Park. By the way, the original title of this piece is "The Three Bares." I have altered it here to maintain a shred of good taste.


The Three Bears
by: Robert W. Service

Ma tried to wash her garden slacks but couldn't get 'em clean
And so she thought she'd soak 'em in a bucket o' benzine.
It worked all right. She wrung 'em out then wondered what she'd do
With all that bucket load of high explosive residue.

She knew that it was dangerous to scatter it around,
For Grandpa liked to throw his lighted matches on the ground.
Somehow she didn't dare to pour it down the kitchen sink,
And what the heck to do with it, poor Ma jest couldn't think.

Then Nature seemed to give the clue, as down the garden lot
She spied the edifice that graced a solitary spot,
Their Palace of Necessity, the family joy and pride,
Enshrined in morning-glory vine, with graded seats inside;

Jest like that cabin Goldylocks found occupied by three,
But in this case B-E-A-R was spelt B-A-R-E----
A tiny seat for Baby Bare, a medium for Ma,
A full-sized section sacred to the Bare of Grandpapa.

Well, Ma was mighty glad to get that worry off her mind,
And hefting up the bucket so combustibly inclined,
She hurried down the garden to that refuge so discreet,
And dumped the liquid menace safely through the centre seat.

Next morning old Grandpa arose; he made a hearty meal,
And sniffed the air and said: `By Gosh! how full of beans I feel.
Darned if I ain't as fresh as paint; my joy will be complete
With jest a quiet session on the usual morning seat;

To smoke me pipe an' meditate, an' maybe write a pome,
For that's the time when bits o' rhyme gits jiggin' in me dome.'
He sat down on that special seat slicked shiny by his age,
And looking like Walt Whitman, jest a silver-whiskered sage,

He filled his corn-cob to the brim and tapped it snugly down,
And chuckled: `Of a perfect day I reckon this the crown.'
He lit the weed, it soothed his need, it was so soft and sweet:
And then he dropped the lighted match clean through the middle seat.

His little grand-child Rosyleen cried from the kichen door:
Oh, Ma, come quick; there's sompin wrong; I heared a dreffel roar;
Oh, Ma, I see a sheet of flame; it's rising high and higher...
Oh, Mummy dear, I sadly fear our comfort-cot's caught fire.'

Poor Ma was thrilled with horror at them words o' Rosyleen.
She thought of Grandpa's matches and that bucket of benzine;
So down the garden geared on high, she ran with all her power,
For regular was Grandpa, and she knew it was his hour.

Then graspin' gaspin' Rosyleen she peered into the fire,
A roarin' soarin' furnace now, perchance old Grandpa's pyre....
But as them twain expressed their pain they heard a hearty cheer----
Behold the old rapscallion squattinn' in the duck pond near,

His silver whiskers singed away, a gosh-almighty wreck,
W i' half a yard o' toilet seat entwined about his neck....
He cried: `Say, folks, oh, did ye hear the big blow-out I made?
But now I best be crawlin' out o' this dog-gasted wet....
For what I aim to figger out is----WHAT THE HECK I ET?'


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March 25, 2009

The Monkey's Viewpoint

I came across the following account (written around 1923) of Indian fighting, pioneer courtship and a polygamous trial held in Idaho Falls in an old scrapbook in the section tabbed "Family and Friends". Pasted next to the yellowing pages of this part of early history of Franklin - the first white settlement in Idaho, was this poem which appeared on the back of a business card from the Totem Cafe in West Yellowstone, Montana. Evidently someone saw a connection of sorts between the poem and the events described from the pioneering era of southern Idaho. Franklin is just down the road from Preston and Whitney, Idaho.

The Monkey’s Viewpoint

Three monkeys sat in a coconut tree,
Discussing things as they’re said to be.
Said one to the others, “Now listen, you two,
There’s a certain rumor that can’t be true –
That man descended from our noble race.
The very idea is a big disgrace.

“No monkey ever deserted his wife,
Starved her babies and ruined her life,
And you’ve never known a mother monk,
To leave her babies with others to bunk.
Or to pass them on from one another
‘Till they scarcely know who is their mother.

“And another thing, you’ll never see,
A monk build a fence ‘round a coconut tree,
And let the coconuts go to waste,
Forbidding all other monks to taste.
Why, if I’d put a fence around a tree,
Starvation would force you to steal from me.

“Here’s another thing a monk won’t do –
Get out at night and get on a stew.
Or use a gun or a club or a knife,
To take some other monkey’s life.
Yes, man descended, the ornery cuss,
But brothers, he didn’t descend from us!”



IDAHO PIONEER WOMAN TELLS 0F EARLY DAY INDIAN FIGHTING
By Davis McEntire

In the fall of 1863, settlers in southern Idaho and northern Utah were up in arms over the numerous depredations of the Indians. The red men, aroused by seeing their lands being constantly usurped by the invading settlers, were making a last defiant effort to drive the white men from their territory. They were not numerous enough and Fort Douglas was too close to dare engage in a pitched battle, but their ends they hoped to accomplish by guerrilla warfare, by thefts, kidnappings, surprise night attacks, the occasional scalping of a lone white man, and by a thousand and one other petty, irritating annoyances. No one felt secure except in the fort for savages lurked in every ravine, hollow, and clumps of brush, occasionally they would ride into the villages and profiting by the •white man's principle that "it is cheaper to feed them than to fight them" would spend the day begging, quarreling and drinking.

This state of affairs continued until the settlers found it almost unendurable. But the Indians had not committed any acts of violence so there was no excuse upon which they could call out the soldiers. But the savages grew bolder, their depredations grew increasingly frequent and severe. Relates Mrs. Mary A. Hull, an eighty five year old resident of Whitney, Idaho, then a young married woman in Franklin:

"A large party of Indians came into Franklin, early one afternoon when we were all busy threshing and made their camp on the creek bottom below the village. Then of course they began their usual course of begging and pilfering. Nearly everybody was assisting on the threshing machine and so could not watch them carefully, but I hap­pened to be in my cabin at the time and from a back window saw two squaws sneak into our granary, seize two small sacks of wheat and run for their camp. Grain was a precious commodity in those days, so grabbing a pitchfork I ran in pursuit. I gained rapidly on them as they were heavily loaded and what would have happened had I overtaken them is hard to imagine. But I never reached the thieves; instead I turned and ran for my life, for other things were happening with amazing rapidity. A drunken Indian on horseback, came riding from the saloon, encountered a white woman on his way and attempted to run over her. Failing in this he swung a heavy stick and began beating her savagely about the head and shoulders. She screamed, ran, and fell and instantly every man in the village was rushing toward them with upraised clubs and pitchforks. The woman staggered to her feet, he struck her again, but by this time the men had arrived and were striv­ing to thrust the Indian from his horse with their forks. He swung his club, knocked several to the ground and would have made his escape but just then a man ran up with a revolver in his hand, he shook it viciously at the red man and ordered him to dismount but hesitated to shoot. A man by name of Benjamin Chadwick, my brother, jerked it from his grasp, and fired. The Indian fell from the saddle without a word and lay motionless on the ground. Then the war cry was started and Indians came yelling from all directions. I heard the shot; saw the Indian fall, and terror speeding my steps, fled for safety.

"The Indians collected in a body, a few rods from the white men and many were the ugly words and black looks that passed among them. A pitched battle seemed imminent and as the two groups stood eyeing each other, the sir seemed suddenly charged with suspense and danger. A word and the savages would have hurled themselves upon us. It was the Indian chief who relieved the situation. Even as the white men were looking for places of fortification, he rode out from, his band and spoke.

"White man kill Indian", he said, “who is he” We want ‘um. No one spoke but all looked about for Chadwick, but he was no longer there. Sensing that his life was in danger, and knowing that there were those who would give him up rather than plunge the village into battle, he had quietly taken leave. ‘Ben’ was no coward but he was far from being a fool. "He's not here, Indian" replied one of the white men, "you've miss­ed him, he's beat it." But the Indian was unconvinced. “We no care, where he go," he replied, "but we wantum white man. White man kill Indian, Indians kill white man". Simple and crude yet it was the only justice they knew. A dead Indian was a dead Indian reasoned they, and he had been killed by a white man, therefore the only way to right the wrong was to kill a white man--any white man.

"No, Indian", again replied the white leader, "Chadwick did it, you go get him but we'll not give you any other white man". Much parley followed but in the end the Indians retreated to their camp far from satisfied. That evening a delegation of three white men of which my husband, Robert M. Hull, was one, was sent to the Indian camp to carry the pipe of peace and to make negotiations if possible. But the aggrieved Indians proved treacherous and attacked the three men as soon as they entered the camp. Two succeeded in escaping but my husband was held captive. They bound him to a tree and all night long they tortured him, forcing him to yell for Bishop Peter Maughn of Logan, whom the red men wished to treat with.

Taking a lighted pine splinter, an Indian would thrust it into the white man's flesh, saying "Bishop, Bishop", and Hull would cry in agony, "Oh Bishop, Bishop, Bishop, oh Bishop". This, thought the savages, was great sport, it was even better than killing a man, so all that night they kept it up. Every conceivable torture which the Indians could devise they practiced on the unfortunate white man. Burning sticks were applied to the soles of his feet, lighted splinters were thrust into his legs and arms and the savages laughed with delight to hear the flesh sizzle. Salt was rubbed into his blisters, slow fires were built close by him, and as a special treat to the women and children, squaws and papooses were allowed to spit in his face. It was an experience that Hull nev­er forgot.

"The next morning Bishop Maughn arrived from Logan and with him came an interpreter. With his aid the delegations of white men and Indians conferred for several hours. The Indians agreed to release my husband on payment of a large indemnity and the promise that if ever Chadwick did come back to the village, he was to be immediately surrendered. With this the Indians seemed satisfied but they killed a man on Bear River without the slightest provocation, which brought on the famous battle of Battle of Battle Creek, between the Indians and the government soldiers under Colonel P. E. Connor.

"Years later in 1891, Robert Hull was in a camp on the Blackfoot river a number of miles north of Pocatello, when an Indian rode up on horseback and without a word of warning shot him downward through the left shoulder, killing him and also his young nephew who stood close by.

"In Franklin", continued Mrs. Hull a bit huskily, for the recount­ing of her husband's tragic death had brought tears to her eyes, "we all lived inside the stockade. Every family had its own log cabin and it was built facing the inside of the fort. Of course both cabins and stockade were built of great, solid logs, properly flattened on the sides so that they fitted close together, and any chinks or holes were plastered up with mud so that no light could shine through the walls to indicate the whereabouts of the occupants. Armed sentries, whom we called 'minute men' were posted at each corner of the square fort and they maintained a vigilant watch at every moment of the night.

By day a signal and lookout post was kept up on the top of Mt. Picket now known as the Little Mountain, which towers directly above the little village of Franklin. From the top of the peak one can see all Cache Valley spread out before him and two men kept watch there from daylight till dark. If any Indians were in the vicinity they would send the word down by flag signals and by the same system they would inform the villagers -whether the movements of the red men seemed friendly or hostile. For many years this practice was kept up and never was Franklin the victim of a surprise attack. Pitched battles also were very infrequent but nevertheless the Indians continued to exact their toll of lives until in the seventies. The first man ever buried in the village met his death at the hands of the Indians. Reed was his name and he was deliberately murdered by a band of braves whom he tried to argue with. On another occasion two men, Andrew Morrison and Bill Howell were in the canyon getting out a load of wood when the Indians charged down upon them, volleying arrows. Both men fled leav­ing their outfit at the mercy of the braves but an arrow overtook Morrison and dropped him in his tracks. Howell ran on uninjured into the village and told his story. A party of riflemen immediately went back to get his corpse before the Indians or wild animals should mutilate it, but to their astonishment he was still living with three arrows in his body. They brought him back to Franklin where he soon regained his health and strength. One of the arrowheads however, remained stuck fast in his side. It was too close to his heart to permit of cutting it out so there it stayed throughout the remain­ing twenty years of his life."

Mary Hull smiled a trifle apologetically. "I fear that I am telling you too much of the strife, and hard­ships of pioneering", she said, "I do not wish to give the impression that we pioneers knew nothing but battle, blood, and hardship, for such is not the case. On the contrary we were fairly light hearted on the whole for there were many young people among us and youth is always gay. True, we did not have automobiles nor dance halls, nor cinema palaces, but we had other things and we enjoyed them. Our amusements were hiking, berry picking, parties, and occasionally the bishop allowed us to convert the church house into a dance hall and we would dance merrily, many of us barefooted to the music of some scraping old fiddle. Our favorite dances were the Virginia Reel, French Four, Plain Quadrille, Horseless Four and Scotch Reel, such innovations as Waltzes and Foxtrots were unknown.

"Courtship also was a much different matter than it is nowadays. If a young man felt himself getting giddy he would ask the girl's parents permission for him to 'keep company’ with their daughter. Even then his courtship was carried on at a distance so to speak. The pairing off, the intimacies which young people find so entertaining today were entirely unknown to us. We went in groups, & bunches, we called it, to our parties, and early in the evening we returned, also in bunches. Most of us were strictly orthodox in our morals and behavior and any one who was not was looked upon with plain disfavor, I remember one incident in particular". She chuckled.
"I don't know whether I should tell it or not", she laughed, "but it was the most ludicrous thing I have ever seen in my whole life.

"A certain young man came into our village and speedily proved himself not a desirable character. No one knew where he came from and no one knew where he was going or what his business was in Franklin, but we all knew that he was different from the rest of us and different in an undesirable way and that prejudiced us against him. He did everything which we thought a young man shouldn’t do, from flirting with the girls, to smoking, swearing, and drinking. He was a veritable thorn in the flesh of Franklin's young people. At last ten girls, of whom I was one, held a secret meeting in the schoolhouse and decided that the unwelcome one must go and we formulated a plan whereby he was to be got rid of.

Two days later one of our number who was chosen to be the bait, asked the young fellow to meet her at a designated place, at ten o'clock in the evening. He came on scenting high adventure. He got it. As the unsuspecting undesirable reached the trysting place, ten big, husky, corn fed, country girls leaped out of the shrubbery, armed with a long rope, we seized the unfortunate victim and bore him to the ground. He kicked, screamed, blasphemed, and fought in a most wrathful and ungentlemanly like manner, but in spite of his struggles we bound him hand and foot, and dragging him to the nearest post, lashed him securely to it. All that night we listened, chuckling in our beds to his exasperated screams and yells, and I suppose he'd have been there yet had not some villager, along toward morning, craving a little sleep, gone down, and untied the poor wretch. The next day he packed his worldly all and left Franklin for good. We never saw him again".

Mary Hull's experiences throw an interesting light on pioneer travel. She says:
"All travel was by oxen, horse and buggy, or horseback and of course it was exceedingly slow when compared with the airplanes, automobiles, and passenger trains which we have today. Long trips were rare and touring for pleasure was a thing unheard of. The longest trip I ever took was in 1860 when with some friends I drove from Franklin to Idaho Falls to attend the trial of my husband who was facing a charge of polygamy before the federal court. The journey consumed three days of steady traveling by horse and blackboard. My husband was found guilty and fined six hundred dollars which he paid without a whimper, but he refused to renounce either of his wives and lived with them both until the day of his death in 'ninety one.

"That was my first trip into the Snake River Valley and though I have visited it many times since I shall never forget how it looked then. My first impression was of an enormous flat plain and the most desert like stretch of country I have ever seen. As far as the eye could see the land stretched away in one unbroken terrain, covered with sage, buckbrush and flying sand. I thought it at the time one of the most desolate, most barren places I had ever set eyes upon.
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